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Jennifer Grace
Siobhan Kelly
Dena Pezzano

Gila Cohen

Kirsten Buls


 

Jennifer Grace

Jennifer Grace

A Costume Bible

My integrated project was inspired by my desire to one day be a costume designers assistant and my passion for fabrics, so I chose to produce a Costume Bible based on the play 'The Crucible' by Arthur Miller.

I started by giving myself a few guidelines then I broke the play down into character descriptions and a plot by plot analysis.  Then I chose a period and started to design the costumes for each character using the reference material I had collected.

Once I had completed the designs I drew up a budget for each costume to make sure I was within my target budget.  Next came scourcing fabrics for each costume placing and documenting them in the bible so that each costume could be replicated if needed.

Once I had finished the bible I put together a costume list which could be used for dressing, scene by scene, character by character.

I am very happy with what I have achieved and found I gained a lot of knowledge and experience while completing it.

The Crucible -Costume Bible
The Crucible
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Siobhan Kelly

Siobhan Kelly




Ballroom

My integrated project was to design and make a women's ballroom dancing costume.  I chose to do this because I would like to eventually become more involved with making dancewear.  I was able to work very closely with a company called Spirited Dancewear, who taught me how to make these costumes.  I had a lot of fun designing the decoration, and many hours were spent glueing diamantes and sewing feathers to complete the dress.

The dress was worn at the National Capital Dancesport Championships in Canberra, June 2000.  The competition was held at the Australian Institute of Sport.

Several factors needed to be taken into consideration when designing this costume.  Colour is a major factor of the design.  A dull colour would be lost, and would blend into the large dancefloor, whereas too strong a colour may not compliment the elegant flow of the costume.

The weight of the fabric used affects the way the final dress moves on the floor.  A heavy weight fabric will be too stiff, and will not move well.  If the fabric is light weight, the dress will not hang well, it will float around the dancer, and will not be able to hold the weight of the decoration added. 

During this course, I learnt a lot about the theatre and film costume industries.  Through practical work placement, I was able to get a feel for what is involved.  I was able to meet high profile deisgners and costume makers who taught me various tricks of the trade.  Some of my work placement allowed me to work in the art department for Bazmark on one of their films, and help finish costumes for the stage version of Grease the musical.

The best part of this course was having teachers who are currently working in the costume industries, who are eager to share their knowledge.  We were all given up to date information and contacts with suppliers.

Most importantly, this course was fun, which makes it a lot easier to put hours of hard work and effort into each project.

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Dena Pezzano

Dena Pezzano

Star Wars

Choosing a theme for my integrated project was as easy as picking one of my favorite movies.  Since I was a small girl I have had a love for science fiction, sure enough I fell in love with Star Wars and its characters.  Not only for its rulers and superhuman Jedi's but also for its simple design.  "It all started with an idea of adventure and space" claims George Lucas, the man behind the series.  He wanted to create a special type of film with a very specific look and characters.

In this new Star Wars we have a new ruler known as Queen Amidala.  The costume design has now gone from classic simple space age to a mixture of royalty, rich and historical influences from around the globe.

The concept of Queen Amidala's costuming was a clever co-ordination of design and texture taken from Japanese, Tibetan, Chinese and Mongolian Dynasty's.  THe Queen's regalness of a strong ruler in the public eye turns also to be a caring teenager throughout the story with many amazing costume changes.

Dena Pezzano -Star Wars inspirationDena Pezzano Star Wars inspirationDena Pezzano -Star Wars inspiration
I have chosen to continue the story by creating my own version of what Queen Amidala will be wearing later in life for 'Part II'.  I will incorporate the most recent costumes with what will be worn in future episodes.  The bridge will come from being a Queen to being a mother and having a daughter named Leah.  To create the perfect costume for falling in love, I have based the design on a flower with shades of fuchsia and pink.

To plan my concept I have resourced books on the history of Asian and European royalty, looking at overall design, embroidery, quilting and art finishing.  I have found various fabrics which I will art finish, pattern make and drape into my gown to make this look possible.  Many of the fabrics used will be found from high market material shops to second hand stores.

The over jacket will be the main costume and much concentration will be on the detail and design.  Underneath this costume will be a stand-by combat outfit with gun belt and other combat details such as pockets and quilted key areas.  The Queen will be dressed and presented with head to toe costuming and styling.

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Gila Cohen

Gila Cohen

The White Witch

The inspiration for my integrated project came from re reading The Lion, the Witch and the Wardrobe, a story I had loved as a child.  As I read the characters shaped themselves in my mind, particularly the Ice Queen, a cruel yet beautiful witch who lived in a palace with a city of statues of those she had seduced with magic turkish delight then turned into stone.  She was a challenge.

How to make her forboding, wearing only white, a colour tradionally associated with virginity, purity and marriage.
Having complete artistic freedom on a project without the usual restraints of another persons design concept or budget had its ups and downs.  Constraints, I found , created a framework in work with in.  The possibilites of what I could do seemed limitless.  It was pretty daunting.

I have been influenced particularly by designers Thiery Muglar and Alexander McQueen.  Both designers have a theatrical aesthetic.  The costume that I've designed is a combination of leather, close cell foam, sheer fabrics, glitter, beads, crystals and dripped silicone.

I think the Diploma in Theatre Costume Manufacturing has taught me a way of working through things - of organising and problem solving and the skills to follow.   The Diploma has provided me with the opportunity to explore different areas of work within theatre and film.  Work experience at Bell Shakespeare, NIDA, Australian Film and Television to name a few.

White Witch inspiration
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Kirsten Buls

Kirsten Buls

Tres Ballet

Costumes for the ballet is the theme for my project.

Ballet, because it is something I had never been involved in.  It was completely new to me, the concept of freedom and movement in a costume was new to me. 

The methods used in my costumes- which include draping, dying, pleating, tailoring -were all taken from classes in the Diploma of Theatre Costume Manufacturing course.  Other classes that have proved helpful in the workplace are hard and soft sculpture, art finishing, pattern making and research & development. 

The three pieces shown are from different ballets.
-Swan Lake, Princess Aurora
-Don Quoxite, The Prince
-The Lilac Garden, The Lilac Fairy
 

The Lilac FairyDon Quoxite, The Prince
The Lilac FairySwan Lake, Princess Aurora
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